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'Best of all was the alto Rebecca Leggett who sang the Mass in A’s “Quoniam” with great authority, a rich contralto quality in the lower register and top notes blooming into brightness, her recitatives characterful, but never over-dramatic. She is surely at the start of a glittering career.'
www.churchtimes.co.uk/articles/2024/5-april/books-arts/music/music-review-bach-and-his-own-plagiarism-the-sixteen-wigmore-hall-london
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