Virtual Choral Evensong, Rodolfus Foundation, review: 'bedroom singing taken to a whole new level'

There were opening and closing organ voluntaries, both by Bach, 16th-century choral settings of the liturgy from Thomas Tallis, William Smith and the great Spanish composer Victoria, and 19th and early 20th-century settings by Elgar and George Dyson.

'Alto Rebecca Leggett showed a beautifully modulated,
warm alto voice, singing with a nice evenness of tone
and a lovely calmness in the lullaby, 'Schlafe, mein Liebster'...' 
​www.planethugill.com/2017/11/bachs-christmas-oratorio-concludes.html

'Mezzo-soprano Rebecca Leggett...it was thrilling to see and hear a fine career blossoming before one's eyes and ears.' 
https://www.eastbourneherald.co.uk/whats-on/music/review-an-evening-to-remember-at-all-saints-church-1-8424996

'Ralph Allwood obtains a vivid, rich blend from his 27 Greenwichian voices, eight of whom do splendid service as soloists, most notably Rebecca Leggett'
https://www.gramophone.co.uk/review/r-williams-sacred-choral-works

'...one or two individuals stood out, above all Rebecca Leggett, who sang the Cantor's lines in William Smith's Responses with touching grace and beauty.' 
https://www.telegraph.co.uk/music/classical-music/virtual-choral-evensong-rodolfus-foundation-review-bedroom-singing/

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